Naturalism in
literature emerged as a rebellion against genteel tradition promoted by Christianity
at that time. In response to the tradition which adopted by most people in the
society back to when it is still adopted, naturalists write, in order to impose
new standards, beside the already existed standard. Naturalistic literature
describes human’s life and fate are determined by nature, hence nature, in
naturalistic literature, is portrayed as the force that is superior above
human’s power. The works of naturalists do not praise human nobility, because
they are not into it. Instead, the naturalists portrayed human, or the hero in
the works of naturalist, able to devolve, instead of evolve, in order to cope
with nature’s condition, or the condition given by nature, in naturalism’s
scope.
Besides the
superiority of nature, naturalism is characterized by pessimistic determinism
in its work. The work shows, or the naturalists believe, that human’s fate is
determined by nature. But, naturalism is also pessimistic that humans can
change their own fate through their own means and effort.
The Call of the Wild by Jack London is
one of naturalistic works. Naturalism, as previously explained, accentuate that
nature is superior over human, and thus giving the possibility of power
relations in the works of naturalists. Determinism is also a part of
naturalistic literature, and it concerns the determined fate of life of humans
in literature.
I propose to
explore the way the laws of naturalism work in The Call of the Wild. It is done by examining the journey of Buck
(the main protagonist of the novel, a dog in the novel described as having the
inheritance of wolf or wild dog) from his totally-domesticated form to its
final form, the full wild dog, a beast. Then in the process of which, I will
examine the power relation between the humans that is interacting with Buck, and
how they affect Buck’s progress to devolution. Finally, after Buck gained his
primitive, beastly form I will examine whether or not determinism is in action
and responsible of its devolution, and whether or not the final form of Buck is
the way the nature in the novel devolve the animal, in order to make it a tool
to the nature’s “advantage.”
The references I
will use:
Cowburn, J. (2007). Determinism. In J. Cowburn, Free
Will, Predestination, and Determinism (pp. 144, 161, 164). Milwaukee:
Marquette University Press.
Cowley, M. (2004). Naturalism in American
Literature. In H. Bloom, American Naturalism (pp. 49-78).
Philadelphia: Chelsea House Publications.
Foucault, M. (2004). Discipline and Punish. In J.
Rivkin, & M. Ryan (Eds.), Literary Theory: An Anthology Second Edition
(pp. 549-551). Malden, Massachusetts.
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